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| Calligraphies |
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By practicing the method of shooting, the dewy flower of virtue has blessings
like increasing color.
(As for the method and ethics
of shooting, the virtuous brilliance of attaining the correct path as taught
by the master is as beautiful as the moisture laden flora growing in vitality.) |
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By penetrating the inner teachings, the old horse in the midst of the
snow of art seems to know the way.
(The art which pursues the inner depths of the teaching
to the limit never loses its way on the path. “The old horse knows the
way” means that a well trained horse will always return home even if let
loose in the middle of the mountains. The phrase “the old horse knows
the way” comes from the unauthorized biography of Han Zi, which tells
the story of when Duke Qi Heng got lost during an attack against Hu Zhu.
Departing in the spring, he returned in the winter and got lost, whereupon
Guan Zhong said “release an old horse” and they found their way.) |
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By shooting with one's own power, the rainwater of cultivation without a
way is like losing the grain.
(An archer who shoots
according to his own style without receiving the teachings of a master is
like the rainwater which flows without a channel, ruining the crops.) |
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| In den frühen 90er Jahren schenkte der Zenmeister Kobun
Chino Otogawa Roshi, ein Schüler von Shunryu Suzuki und enger Freund
und Vertrauter von Kanjuro Shibata XX., der Wiener Kyudo-Gruppe (Gako
Kyudojo) diese Serie von drei Kalligraphien. Kobun Chino, der Shibata
Sensei bereits aus Kyoto kannte und bei ihm Kyudo studierte, war maßgeblich
an seiner Einladung in die USA beteiligt und unterrichtete selbst Kyudo
im Auftrag von Shibata XX. Als Kalligraphielehrer genoss er hohe Anerkennung.
Für die Übersetzung der drei Kalligraphien sei Michael Rich sehr
herzlich bedankt. |
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| DHARMA
FOUNTAIN |
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| SELF
REALIZED |
| A Coproduction by Kobun Chino Roshi and Chogyam Trungpa Rimpoche. |
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| Dream |
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